Lora Whelan’s “Travel Lift, Moose Island,” 2024, acrylic on canvas, 19-inches by 24-inches. PHOTO: COURTESY OF THE ARTIST

Working Waterfront

Lora Whelan’s travel lift

“If you like industrial equipment, and I certainly do,” Whelan writes, “a travel lift is hard to resist.” She calls it “the lifeblood” of a boatyard, moving vessels from the water onto land. “I had never given it a good look-see to understand how it worked,” she relates... SEE MORE

Working Waterfront

Stephen King likes it darker

King has never shied away from commenting on politics, especially when it comes to 45 (“Since I write horror novels for a living, I feel I have some authority when I say that four more years of Donald Trump in the White House would be an absolute nightmare”). SEE MORE

Working Waterfront

A journey to the ends of the Earth

The reader experiences, through Rush, the surprise and wonder of discovering how the scientists gather soil cores, how and why they collect animal bits from an island, their anxiety when they lose touch with an underwater remote vehicle... SEE MORE

Working Waterfront

Tom Moore, unleashed

Moore also broaches intimations of mortality, at times tongue in cheek, at others, not so. In “Going Back: Getting Lost in Heaven” he moves from describing a house he built—“I cut studs and toe-nailed them”—to the “terrible signage” he finds in heaven. SEE MORE