Jillian Herrigel, “Harbor Hues,” 2024, acrylic and oil stick, 22 x 28 inches.

Working Waterfront

At home with harbors and oysters

Their oyster farm on New Meadows River inspired a series of lively watercolor-and-ink studies which were shown at the Maine Oyster Company’s raw bar in Portland in 2019. Herrigel captures the action—harvesting, sorting, shucking—via color washes and dashing outlines. SEE MORE

“Richard Stanley, Wooden Boatbuilder” by Lou Stanley (2025), oil on mounted linen panel, 22 x 28 in. COURTESY: ARTIST AND THE GALLERY AT SOMES SOUND

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Stanley paints a Stanley

Lou Stanley remembers the day she came across Richard Stanley. Richard was in his father Ralph Stanley’s boatyard in Tremont, working on Westwind, a 40-foot Friendship sloop built in 1902 by Charles Morse. It was late fall, the Saturday after Thanksgiving, “the full sun’s warmth,” she writes, “just barely keeping ahead of the chill in the air.” SEE MORE

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Trans-Atlantic art

Horta, the town at the eastern end of Faial, one of the islands that make up the Azores in the North Atlantic, has long been a major destination or stopping point for trans-Atlantic sailors, including many from Maine. SEE MORE

Colby Adolphsen with “Harbor Town” PHOTO: COURTESY COLBY ADOLPHSEN

Working Waterfront

Colby Adolphsen’s LEGO harbor town

The detail is astounding, from a wall of hardware store tools and a diner grill to a lobster boat in drydock. Fishermen work on the wharf, a girl walks a dog, a boy fishes off the bridge. Vintage dollhouse stickers provided the aesthetic Adolphsen wanted for the signage: “Town Talk Bread,” “Burdan’s Ice Cream,” “Princes Lobster,” etc. SEE MORE

A view of the harbor, framed by trees. FILE PHOTO: TOM GROENING

Working Waterfront

When life gives you a library

Now the library is poised for a new chapter. It holds over 15,000 volumes and finds its home in a spacious and modern facility that would never have come to be without the 2008 tragedy. After many successful years as “just a library,” we feel like we can dream bigger. SEE MORE

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Art appreciation

The striking thing about these poems is their down-to-earth, conversational atmosphere, couched nonetheless in precise diction and tightly made speech rhythms heightened into the music of poetry. SEE MORE

Stephen Pace’s “Loading Bait No. 6,” (1996), oil on canvas, 46 x 68 inches. PHOTO: COURTESY DOWLING WALSH GALLERY

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Stephen Pace visits the Stonington Co-op

Faced with a vibrant island world, this celebrated abstract expressionist shifted his sights from inner visions to coastal subjects without losing the drive of his previous work. Wielding a wide and swift brush, Pace captured Stonington scenes with gestural bravado, the paint seemingly swept across the surface. SEE MORE

The taped-fingers of sardine packers reveals the cost of the work.

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‘Put your scissors where your mouth is!’

It was the summer of 1970 when Rita Willey won the first sardine packing contest at the Maine Lobster & Seafood Festival in Rockland. She was 31 years old and had been packing sardines for 14 years. SEE MORE

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Island quarry swimming as art

This book includes a quick nod to quarry history, with pictures of some quarrying era artifacts illustrating the once-industrial setting, when rock was removed to be used primarily as building material. SEE MORE

“Pine Trees, Monhegan Island, Maine,” by William Trost Richards (ca. 1902), oil on panel.

Working Waterfront

‘Monhegan Wildlands’ traces natural, artistic history

The exhibition delves into the island's evolving ecology, history, and artistic representation through various thematic lenses. The exhibition spans 12,000 years, highlighting the significance of Monhegan to the Wabanaki's fishing culture and showcasing the ancient Cathedral Woods that have inspired artists. SEE MORE