Working Waterfront

Art appreciation

The striking thing about these poems is their down-to-earth, conversational atmosphere, couched nonetheless in precise diction and tightly made speech rhythms heightened into the music of poetry. SEE MORE

Working Waterfront

Milliken’s compelling memoir

In a tour of the house Milliken offers memorable details, from the bottom step trapdoor where his mother hid her weed to the shellacked artist conk fungi that served as shelves for teapots. This was the place he considered most his home, “among the ghosts of this land’s previous inheritors. In the acute absence of anyone else.” SEE MORE

Working Waterfront

Pandemic memories haunt novel

For many of us, jobs and schooling went remote, and many left crowded urban areas to reside in seasonal homes or with family or friends offering more room to spread out. Emotional support often was a low priority, and paranoia and distrust came to dominate our normal, instinctual desire to share and problem-solve in communal ways. SEE MORE
Rock Bound

Working Waterfront

Camping adventures and misadventures

This issue of The Working Waterfront features a story about the emerging trend of “glamping,” a term coined to describe a version of camping that’s a bit more glamorous. I’ve had some camping experiences, most of which weren’t glamorous. My father, being a schoolteacher, had summers off, and after several… SEE MORE
Stephen Pace’s “Loading Bait No. 6,” (1996), oil on canvas, 46 x 68 inches. PHOTO: COURTESY DOWLING WALSH GALLERY

Working Waterfront

Stephen Pace visits the Stonington Co-op

Faced with a vibrant island world, this celebrated abstract expressionist shifted his sights from inner visions to coastal subjects without losing the drive of his previous work. Wielding a wide and swift brush, Pace captured Stonington scenes with gestural bravado, the paint seemingly swept across the surface. SEE MORE