“Flaking the Purse Seine,” circa 1940, by Emily Muir (1904-2003), watercolor on paper, 16 1/2 x 23 inches. PHOTO: COURTESY OF BARRIDOFF AUCTIONS

Working Waterfront

Emily Muir and the seiners

In addition to being a painter, Muir was a self-taught architect and designer, as well as an author, lecturer, and conservationist. SEE MORE

The Jacob Pike underway. PHOTO: PENOBSCOT MARINE MUSEUM

Working Waterfront

The Jacob Pike, a victim of January’s storms

In 2022, The Penobscot Marine Museum acquired a collection of several thousand Jim Moore’s maritime-related negatives SEE MORE

Monhegan School. FILE PHOTO: TOM GROENING

Working Waterfront

The wonder and work of island schools

Teaching a handful of students, each in a different grade, in a quaint one- or two-room school overlooking the harbor on a remote Maine island accessible by ferry that runs intermittently in the winter might sound like complete nuttiness to one person, an interesting puzzle to figure out to another,… SEE MORE

“The J. O. Brown Boatyard, North Haven” (2012) by Seaver Leslie; transparent watercolor, 11-inches by 14 inches.

Working Waterfront

Seaver Leslie pays tribute to Brown Boatyard

Leslie painted at the boatyard in the spring and summer of 2009 and 2010, focusing on the interior, with a series of detailed drawings preceding the watercolors. SEE MORE

The Pemaquid Light fog signal bell shown on a postcard dating to about 1905. PHOTO: MAINE MARITIME MUSEUM

Working Waterfront

Centuries-old infrastructure laid bare

Coastal Maine continues to reel from the effects of back-to-back January storms that caused long-lasting damage to working waterfronts, homes, areas of leisure, as well as cultural heritage sites. By nature of their location, lighthouses and their supporting structures are especially vulnerable to the destruction caused by extreme winds, surf,… SEE MORE

Working Waterfront

A tree grows in Southport

Much of the story is devoted to the 38-year-old Lydia, who writes/edits for an architectural magazine. She had been a dancer in her early life and yearns to return to it. Thanks to a budding romance... SEE MORE

Working Waterfront

On the record with… Cliff Island’s Bonnie Rideout

I think of Cliff Island as my thinking place. It inspires me, the nature, and of course the people are really special to me. How often do you see and know people your entire life since you were a little kid? SEE MORE

Working Waterfront

The state’s largest bay as seen by painters

Many paintings, whether realist, impressionist, or abstract, mesmerize us with the interplay of quiet coves and wider waters, often dotted with sailboats or lobster boats... SEE MORE

Working Waterfront

On the record with… Cliff Island’s Bonnie Rideout

Bonnie Rideout’s house on Cliff Island is on a small bluff jutting to the south, ringed by steep shale cliffs descending into the ocean. The house was used in the filming of The Whales of August in 1987. Rideout gave me a quick tour of the old house, showing me… SEE MORE

John Wissemann’s “Friendship Harbor 2013,” mixed media on paper, 22 by 30 inches PHOTO: JEFF FULLER

Working Waterfront

John Wissemann stencils Friendship

In a scene in Jeffrey Mathias’s 2014 video “John Wissemann: Stencils & Pencils & Working Harbors of Maine,” the artist visits Friendship Harbor with fellow painter Sam Cady who lives in the neighborhood. As they admire the configurations of sheds, docks, and boats, Cady notes that Friendship has made “a… SEE MORE